At some point, the sea became one of the central themes in my creative work. It always sparks a sense of intrigue in me—no matter how much I think about it or study it, there is always something secret remaining. Every time I start a new project, I return to this place in one way or another.
SMELLY FISH
One day, a stinky fish ended up in my kitchen, filling the entire apartment with an unbearable odor. Despite how fascinated I am by marine life underwater, I also intensely dislike their presence on land.
Without realizing it, the next day I began collecting references from the most unpleasant and repulsive images of fish I could find.
it was an act of revenge.
2. I STARTED PLAYING
Calming down, I started to think about what I could extract from the material itself.
I flung the brushes, held them in my mouth, tore off sheets, and splashed ink across the entire table.
Works created with Danakai Adleiba / Daria Kovalchuk
These experiments brought me incredible joy. Finally, I could simply enjoy the process without worrying about the outcome.
I am fully responsible for the final outcome—the water and the paper.
The abundance of water pardoned any errors, allowing me to dissolve into the process.
3. SILENCE
Following a strong emotional surge, my body demanded harmony and relaxation. I began drawing fine lines on paper. The repetitive motions induced a light trance, restoring inner balance.
I didn’t know where I was headed in my deep dive into the material, but I didn’t want to think about it.
4. EVERYTHING MADE SENSE?
I liked the combination of free, vibrant forms that bring me excitement and a lot of fun, with straight lines. They calmed me and pulled the drawing together into a cohesive image.
Chaos and order—all of it has naturally come together in my work.
5. BLUE
I’m out of black ink. Going to the store isn’t an option—I’m too lazy. So, I decided to just grab the blue ink I had gathering dust at home.
