The boundary between the organic and the technological is blurring, giving rise to a cyborgian subjectivity. This series visualizes this schism through a dialectic of co-presence. A figure connected to a system of wires embodies somatic hybridization, where the body becomes an interface for network capitalism. The second subject, free from implants, preserves bodily autonomy, acting as a remnant of the «pure» human. Their dance is an allegory for symbiotic vulnerability, where the technologized self holds onto what slips into digital entropy.
The photographic work «Pas de deux» directly continues the conceptual thread of a thesis project dedicated to developing an identity for a researcher-artist working within the paradigm of posthumanism.
Visualization in the environment
