Overlay

The titles are based on the language of geometry and optics: transparency, layer, meridian, section. These are the same concepts upon which the Laszlo Line exhibition was built.

Hanging glass panels transmit light while coloring the ceiling and walls. The more layers, the more complex the color becomes. Transparency was one of Modigliani’s main themes—he worked with acrylic and light, not just with paint. The chandelier is built entirely on this principle, so its name speaks directly to it.

Transparency was one of the main themes of Mokhoy-Nadya: he worked with acrylic glass and light, not just paint. The chandelier is entirely based on this technique, which is why the name speaks directly to it.

«Overlay» describes both the structure (plates in multiple layers) and the brand itself: overlay is «superimposition.» The word is understandable to anyone who has worked with graphic editors, and this is important for the course.

A slender stand and a red light rod create a vertical line, while a yellow crossbar intersects it at a right angle. The light travels along the line, drawing a cross on the wall.

A meridian is a line used to orient and measure space. The verticality of the pedestal is precisely such a line, and the name connects it to the «László line» and the perpendiculars from the exhibition’s identity.

Circles and rectangles made of colored glass converge on the wall and are divided into sections by thin lines. Each sector glows differently.

«Section» is the keyword for your exhibition: perpendicular lines divided everything into four parts, showing different facets of the artist. The panel continues this technique on the wall.