PROJECT SOURCE
My main project last year was about the electronic music philharmonic, «Electronic Division.» This is a cultural space for concerts, lectures, and workshops related to electronic music.
The primary goal of the project was to bring electronic music out of club basements and into spaces of intellectual culture.
I took the project from the first module where I made a calendar for the «electronic department, ” but in modules 2, 3, and 4, I also worked on it while completing other special projects.
PROJECT DEVELOPMENT
The «electronic division» extends beyond the concert venue and begins to create its own synthesizers. Thus, the brand integrates listening, learning, and music creation: the journey into electronic sound continues through the hands of the individual.
logo
Design a precise, minimalist logo for «KONTUR 01, ” the inaugural synthesizer from the „Electronic Department, ” a contemporary electronic music cultural institution. Use the attached image as the exact color palette reference: near-black 0D0D0C, medium gray 737372, off-white F2F2F2, and vivid red F23827.
Create a custom Cyrillic wordmark „КОНТУР“ in a restrained geometric sans-serif style, with „01“ as a clearly legible model number. Introduce one distinctive graphic gesture: a thin red line begins near the letter „К“, travels horizontally above the wordmark, then turns to form a simple open rectangular contour around „01“. The line should feel like a continuous signal path or circuit trace, not a literal waveform. Make the composition balanced, architectural, confident, and suitable for small-scale printing on a synthesizer body.
Flat vector logo, crisp geometry, consistent line weight, generous negative space. Show one primary horizontal version on a plain F2F2F2 background. Use 0D0D0C for the lettering, F23827 only for the contour line, and 737372 only if needed for a subtle secondary detail. No gradients, shadows, 3D effects, mockups, headphones, piano keys, equalizer bars, or generic music icons. No additional text.
Hyperspace Race font recognized via the website
color palette
adobe color
Synthesizer «KONTUR 01»
Create a clean, highly detailed product reference image of an original compact electronic synthesizer for «Electronic Division, ” a contemporary cultural brand dedicated to electronic music. Design a believable, functional tabletop synthesizer featuring a 25-key keyboard, a low-profile rectangular body, eight precisely arranged rotary knobs, a small monochrome display, and a row of eight square buttons. Keep the layout orderly and easily identifiable so this exact instrument can be recreated in future images.Use the brand palette exclusively: a matte light-gray body (F2F2F2), near-black keys and primary controls (0D0D0C), medium-gray secondary details (737372), and a restrained vivid-red accent (F23827) on one or two functional elements, such as a knob and a button. No other colors. The design should feel architectural, precise, and sophisticated—like an instrument created by a contemporary philharmonic institution, not nightclub equipment.Show the entire synthesizer from a front three-quarter angle, centered on a seamless neutral-gray studio background that contrasts clearly with the body. Soft, even lighting, realistic materials, subtle natural shadow, sharp product details. Photorealistic product photography. No hands, cables, packaging, posters, decorative graphics, environment, visible brand name, or text. No dramatic colored lighting, gradients, or 3D illustration. This image should serve as the master visual reference for future campaign images.
To generate the following images with the synthesizers, I used the previous image plus a prompt.
Use the attached image as the visual reference for the synthesizer. Create a photorealistic, straight-down overhead photograph of a musician working with this exact instrument in a contemporary music studio. The synthesizer should lie diagonally across a large, dark worktable, forming the central shape of the composition. Only the musician’s forearms and hands should enter the frame from the edge: one hand presses a few keys, while the other adjusts a knob. Ensure the instrument’s keyboard and control panel remain mostly unobstructed.Arrange a few believable traces of creative work around it: connected audio cables forming loose curves, a notebook with abstract handwritten marks, headphones, and the edge of a studio monitor. Leave generous negative space on one side for future presentation typography. The overhead angle should give the scene the feel of a precise graphic composition, with cables creating lines that guide the eye toward the synthesizer.Preserve the reference instrument’s recognizable shape, proportions, key arrangement, knob and button positions, display, light-gray body, black controls, and red accents. Do not redesign or replace it. Surround the scene with restrained black, gray, and warm-white elements; the red details on the synthesizer should provide the strongest color accent. Employ soft, directional studio lighting, natural shadows, tactile materials, and sophisticated editorial art direction. No visible face, no nightclub lighting, no neon, and no added logos or readable text.
Use the attached image as the exact visual reference for the synthesizer. Place this same instrument in a contemporary music production studio, on a desk in front of a musician who is actively creating a track. One hand is playing the keys while the other adjusts a knob. The musician is focused on the process, seen from a side or three-quarter angle; their face does not need to be prominent.
Preserve the synthesizer’s exact shape, proportions, keyboard, position and number of knobs and buttons, display, light-gray body, black controls, and red accents. Do not redesign, simplify, or replace the instrument. Keep most of its front panel and keyboard visible despite the musician’s hands.
Surround it with believable studio details: near-field speakers, acoustic panels, a computer screen showing an abstract audio timeline, and a few naturally connected cables. Warm, soft working light with subtle shadows; restrained colors that complement the instrument’s black, gray, white, and red palette. The atmosphere is thoughtful and creative, not a nightclub. Photorealistic editorial photography, medium-wide composition, slightly elevated front three-quarter view, with the synthesizer as the main subject. No prominent logos, no readable text, no neon lights, no excessive equipment clutter.
Use the attached image as the exact visual reference for the synthesizer. Create a photorealistic campaign photograph within a vast, minimalist contemporary art gallery. The synthesizer stands on a low, precise black platform in the foreground. A single monumental ribbon of vivid red fabric originates near the instrument, twisting through the air like a physical sound wave, and extending deeply into the gallery. This must be a real suspended installation, not a digital effect.Position the camera extremely low, nearly at floor level, close to the front-left corner of the synthesizer. Employ a dramatic side perspective: the instrument should dominate a substantial part of the frame, while the red installation draws the viewer’s eye into the distance. Ensure the keyboard and control panel remain clearly visible.Preserve the synthesizer’s exact silhouette, proportions, key arrangement, display, knob and button placements, light-gray chassis, black controls, and red accents exactly as shown in the reference image. Do not redesign or substitute any element. Maintain a restrained palette of white, gray, black, and vivid red. Use architectural daylight, long soft shadows, realistic fabric texture, and sophisticated museum photography. Absolutely no people, neon, smoke, text, or logos.
Use the attached image as the exact visual reference for the synthesizer. Create a striking photorealistic campaign image set inside an empty philharmonic concert hall. The camera is positioned extremely low, looking out through the open body of a grand piano. Piano strings and the edge of the raised lid fill the foreground, forming strong diagonal lines that lead the eye toward the synthesizer, which rests on a stand a few meters away on the stage.Keep the synthesizer as the sharp, unmistakable focal point. Show it from a low front three-quarter angle, ensuring its keyboard and control panel are clearly visible. Preserve its exact silhouette, proportions, key arrangement, display, knob and button positions, light body, black controls, and red accents from the reference image. Do not redesign the instrument or add any new controls.The grand piano is partially visible and softly out of focus; the synthesizer is crisp and highly detailed. Empty seating recedes into darkness behind it. A single warm rehearsal light illuminates the stage, while a subtle red reflection catches the piano strings. The mood is quiet and expectant—as if two musical traditions are about to converge. The aesthetic should be sophisticated editorial photography, tactile realism, cinematic depth, and a restrained brand palette. Absolutely no musicians, no audience, no neon, no smoke, and no text or logos.
Use the attached image as the exact reference for the synthesizer. Place this same instrument on a low equipment table at the center of a grand contemporary concert hall during preparations for an electronic music performance. The hall is still empty; rows of seats recede into the dim background. Audio cables are plugged into the synthesizer and run across the table and stage floor, with several loose coils nearby. Nearby are a few microphone stands, a stage monitor, and equipment cases. Everything feels actively in use, but not chaotic—the synthesizer remains the clear focal point.
Preserve the instrument’s exact shape, proportions, keyboard, knob and button layout, display, light-gray body, black controls, and red accents from the reference image. Do not redesign or replace it. Create an atmospheric backstage moment: soft overhead work lights, a subtle red stage light in the distance, realistic shadows, tactile cables, and materials. Wide editorial product photograph, viewed from a slightly elevated front three-quarter angle, with the entire synthesizer clearly visible. The mood is anticipation before a concert—electronic music entering the space of a philharmonic hall. Photorealistic, sophisticated, cinematic, yet natural. No performers, no audience, no smoke, no neon, no text or logos.
MERCHANDISE
In the merch generations, a prompt plus the logo image was used.
cable case
Use the attached image as the exact reference for the «КОНТУР 01» logo. Create a photorealistic campaign photograph featuring a premium cable organizer case designed for an electronic musician.
The case is a compact, structured rectangular pouch made from durable matte near-black technical fabric (0D0D0C), with a rigid shape, precise stitching, and a subtle gray zipper (737372). It lies open on a backstage worktable before a concert, revealing neatly arranged audio cables, adapters, and a few ¼-inch jack connectors secured with elastic loops. The contents should look functional and believable, not decorative.
The outer flap is angled toward the camera and clearly displays the attached «КОНТУР 01» logo. Preserve the logo’s exact Cyrillic lettering, proportions, black geometric typography, thin red line above the wordmark, and red rectangular contour around «01». Place it on a small off-white (F2F2F2) fabric patch sewn onto the flap, so the black lettering remains legible. Use red (F23827) only for the logo detail and one discreet zipper pull.
Shoot from a slightly elevated three-quarter angle, close enough to see the fabric texture, logo patch, and cable organization. In the softly blurred background, suggest a concert-stage preparation area with equipment cases and work lights. Sophisticated editorial product photography, natural shadows, restrained palette, sharp focus on the case. No people, no extra logos, no readable text, no neon, no excessive clutter.
