Longread translated automatically

«Greek Zorba» Director Michaelis Kakoyannis, USA/Greece/United Kingdom, 1964. In roles: Anthony Quinn, Alan Bates, Irene Papas, Lila Kedrov and others.

big
Original size 1779x1067
big
Original size 1785x1072
big
Original size 1792x1075
Original size 1920x1080
Original size 1792x1074
Original size 1757x1071
Original size 1792x1073
Original size 1792x1075

In its filming of the novel, the philosophical dualism of the novel is translated into plastic, look, rhythm. The camera notes a contrast between Bazil’s crooked, «cuffed» (Alan Bates) and Zorba. Anthony Quinn doesn’t play Greek; it’s like he’s becoming a Greek. The movie breathes Crete’s air, then weeps and gets stuck in a big plan by Irene Papas, whose hero never learns how to smile.

Original size 1792x1070
Original size 1792x1071
Original size 1792x1075
Original size 1792x1071

The paradox is that the famous «Sirtaki» dance, which became Greece’s guest card, was created specifically for the film by the composer Mikis Theodorakis and choreographer Jorgos Provias. In the finals, Quinn’s hero dances with a broken leg, not jumping, but slipping, and it’s this forced gesture that gives birth to a world myth.

Original size 1792x1076

Everything’s gone, and Zorba starts the dance, and Basil, after throwing away the British hold, makes the clumsy but determined moves follow him. The film ends with the conclusion that there is a need to move on, even if everything is lost. Dance, even if you can’t.

Loading...