The work explores the themes of hidden aggression and the duality of human nature. Overlaying an expressive, snarling image of a dog onto the human silhouette demonstrates the fine line between control and primal instincts.
Laminating under 5 mm of acrylic with a deep luster transforms the image into a monolithic exhibition piece. The glossy surface and optical depth effects, intensified by the red monochrome, elevate the flat print into a visually «floating» structure mounted on a hidden chassis.Selected format: 100×150 cm per piece.
The red monochrome background emphasizes tension, while the hyperrealistic texture of the wool and the snarl expose what is usually hidden behind the facade of social control.
As a symbol of training and social control, the German Shepherd is the primary «working» dog, associated with impeccable discipline, obedience, protection, and control over natural impulses. In a calm state, it embodies order and dedication to serving humans. The instantaneous shift to a genuine snarl—the same socialized and trained dog, in a second of irritation, transforms into a wild predator with bared fangs.
This is a perfect metaphor for humanity: a socially adapted individual wears a mask of discipline, but under the influence of triggers or stress, raw animal aggression instantly bursts through.
