Concept
A series of jeweled masks that reveal mysterious beauty through the interplay of light and shadow. The asymmetric masks combine delicate metallic lines, the brilliance of stones, and the weightlessness of draping chains. The adornments become a symbol of duality, hidden individuality, and the subtle boundary between openness and mystery.
Through the imagery of predatory bird beaks, plumage, and the aquatic element, the symbolism of nocturnal Venice is revealed. The gleam of sterling silver echoes the ripples of the canals, while accents of precious stones underscore the Baroque drama. The use of pince-nez transforms the art objects into a category of avant-garde jewelry optics.
Historical Analysis
The Venetian Carnival historically originated as a space of temporary equality, where class, gender, and social distinctions were erased beneath a mask. The mask was not merely a festive accessory, but a legal means to maintain anonymity in casinos, political intrigues, and secret rendezvous.
Transformation
Historical masks stripped the wearer of individuality and comfort. This jewelry series replaces heavy bulk with fluid branches, stone pavé, and cascading movable chains. The motion of the chains creates an optical screen reminiscent of a masquerade veil, but one that responds to facial expressions and light.
Silver in medieval alchemy was associated with the moon, mirrors, and the watery element of Venice. Black diamonds, spinel, and deep rubies evoke the velvet cloaks of nobles and the somber theatricality of Carnival nights.
