Concept
The vertical house is a tall tower-storage organized as a multi-level space of memory and everyday life. At its center, a movable floor-platform travels through the building using a hydraulic piston, giving the resident access to every level and object.From floor to ceiling, bookshelves form a continuous architectural shell. Integrated into them are essential elements of daily life: a kitchen, work surfaces, storage, wardrobes, and household objects.Storage becomes living space: books, furniture, and family objects are not hidden but built into the architecture. The moving platform creates a dynamic connection between the resident, her collection, and the vertical volume of the house.

Concept
The theater is conceived as a monumental volume framed at the front by a glass grid supported by steel elements. Its facade embodies the idea of a rupture: a break in the ordinary urban environment from which something new emerges.The project is built on the philosophy that everything in the world begins with nothing. Emptiness materializes into action or a state, and then into art. The theater reflects this transition, becoming a place where the city meets imagination and everyday life turns into cultural experience.The glass grid creates a visual connection between the theater and its residential surroundings, while the monumental form gives the building a strong public presence. The facade does not close the institution off from the city; it invites residents to look inside and discover a new cultural space within their district.

Concept
The project was developed in Revit and includes facades, a section, demolition and installation plans, furniture and equipment layouts, finishing work, electrical and plumbing documentation, and elevations. The documentation demonstrates the transition from concept to a detailed, buildable design project.

Concept
The stand is organized as a space for slow exploration and «brain alchemy.» On the first level, a reception area and islands with the studio’s furniture introduce visitors to ZAPAZUHA’s objects and design language.A separate capsule zone offers a more intimate experience: here, visitors can learn about the brand in a quiet, meditative atmosphere, away from the crowd and the pace of the exhibition.The logo plays a central role in the composition. It is placed on vertical pipes that form a diagonal, dividing the space and creating a strong visual contrast. Rounded corners meet straight lines, reflecting the balance between softness and precision in the studio’s identity. The stand turns brand communication into a spatial experience: visitors do not simply observe the objects, but enter the atmosphere and philosophy of ZAPAZUHA.

Concept
GAKU-SHI is a collection of six Japandi-style furniture pieces originally designed for a Japanese language school. Thanks to the universality of the Japandi aesthetic, it can also be used in other educational, public, and residential spaces.The two central objects reinterpret simplified Japanese characters. The GAKU bench is based on the character 学, meaning «learning, ” and combines a laconic form with the symbolism of Japanese writing. The SHI shelving system is inspired by the character 子, transforming the sign into a three-dimensional structure where every line gains both function and meaning.The collection also includes the SEY console and the CHI desk. These pieces create space for focus, reflection, and creative work.The AN.SHIN storage system consists of three wardrobe variations that can be combined into individual configurations. Together, the objects form a modular and harmonious environment where Japanese aesthetics, functionality, and the idea of learning become part of everyday space.