This mug is crafted from semi-porcelain and coated with a green glaze featuring soft drips. Its rounded shape fits comfortably in the palm of your hand, and the color transitions highlight the vibrant, slightly uneven surface.A complex reactive glaze was used to create the pattern, so the intensity of the shade and the border of the drips vary slightly from piece to piece. This allows each mug to develop its own distinct character.

The «Musya» cushion immediately catches the eye—thanks to its faux fur with an animal print. The varying lengths and densities of the pile make the surface exceptionally pleasant to the touch, and the natural shades of white and brown easily complement various interior designs.

The cushion is made from practical faux fur and filled with synthetic down, allowing it to hold its shape well and require minimal care.

The inspiration for this vase comes from the Japanese concept of «Mushin"—a state of clear perception free from extraneous thoughts or expectations. This idea is echoed in the vase’s form itself: serene, concise, and unburdened by excess.The «Mushin» vase is crafted from glass that reveals its character exquisitely when held or viewed in light. The transparent surface shifts its nature depending on the illumination, reflections, and the arrangement, creating a new composition each time.

Ksenia Zinovieva’s work from the Collision Detected series transfers digital glitches into textiles. Fragments of computer errors are hand-embroidered and assembled into a soft, relief object, where the coldness of screen graphics gains texture, volume, and palpable density. The contrast between the digital image and the domestic material creates a particular tension in the work: what usually exists only on a monitor is brought close—into the threads, seams, and unevenness of the surface.

Constructivist Chess in ALUMINIUM—a modern interpretation of a classic game. The game board and pieces are made from matte anodized aluminum, which feels pleasantly cool in the palm and emphasizes the precise geometry of every detail.

The project is inspired by the aesthetic of Constructivism: minimum ornamentation, maximum expressive power. Each piece feels weighty and complete, and the set as a whole is perceived as a collector’s item meant to be displayed.

Architectural Candle II resembles a fragment of a modern building—sharp lines, characteristic slants, and a surface that invites the touch.Candle II is cast from natural olive wax and can stand alone or be connected to Candle I. Together, they form a small architectural composition that can be rearranged in any way.

The «Imprint» panel is born at the intersection of glass, light, and relief. Its convex forms project beyond the flat plane, capturing the surrounding space and forming a pattern that lives in dialogue with light—it changes throughout the day, depending on how the sun falls or the lamp glows.

Each piece is custom-made. The composition can be adapted to fit any interior: the arrangement of blocks can be modified, they can be placed separately, or you can choose the color of the glass or the panel without a metallic backing.