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Human brains tend to constantly search for hidden design, but often prefer literal interpretation, which may run counter to allegorical interpretation. It is in this contradiction that I see the true nature of «the God of the machine», a phenomenon that exceeds the athem. To be clear, this is not about theological design, but about the very mechanism of perception faced with absolute — what exists outside human categories.
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Absolute exists in different deposits, and one of them is the superposition, the multi-staffity of objects. Mirror surfaces become a real attempt to catch the truth behind the tail. These items were subordinated to man, but were abandoned in pursuit of the desired new trophy. A world where everything is lying to you, trying to hide, but doesn’t stop showing up and whispering about something. But we can’t measure the volume of the human «What?» with a whispering answer that’s just drifting away. That’s when you realize the prison and your stabbing. I’m just knocking on the walls of my room and hearing an empty voice, but I don’t know if it’s a plaster, whether it’s a secret room, whether it’s a world behind it. All of this is the sadness of the soul, asking for life about its secret. And in our search for the fifth corner, we have a question: who is the observer and where is his instrument?
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POWER/TROPHY/PURPOSE TO BE EXPENDED TO PANEL/FOREST MAJOR
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1/ «Truffle» horns, 6 mirrors from 0.4 m to 1.3 m 2/ «Engine», wide print 2.75 m x 3.59 m.
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Final materials / monochrome camouflage, oil size / 1mx1.5 m
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TOPIC
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«Tupik», mixed machinery: oil (red layer), glass, wood. Temporarily
VIDEOINSTALLATION
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It’s a 3-minute video installation.
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GOD FROM MACHINE
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It’s a five-minute video installation.
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— Why don’t you dance? — Line
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«Why don’t you dance? — Round of canvas, butter, wood. Size: 159 cm x 125 cm.
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EVALUATION