The core of the «Intersection» scarf is a reinterpretation of Ilya Chashnik’s Suprematist graphics. I took the geometric forms and directions characteristic of his work, merged them into my own pattern, and adapted the composition for a textile medium. The intersecting red lines and light elements form a rhythmic structure against a dark green background, creating a sense of movement and continuous interaction among the shapes. On the scarf, geometry transcends the two-dimensional plane of a graphic sheet and becomes part of an everyday object, maintaining a connection to avant-garde art.
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