The project draws inspiration from the work of Ivan Klyun and his piece, «Blue-and-White Suprematist Composition» (1921). The painting’s geometry is reinterpreted in an art object shaped like an eye. The eye symbolizes perception, inviting the viewer to look at the mountain landscape through the prism of Suprematism, where the shapes of the rocks become an extension of the geometric composition. Thus, abstract art enters into a dialogue with nature.
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Concept Development
