Cubes

At the core of the installation is the concept of geometry as the primary structure of the cosmos—a structure that precedes the material world and forms its foundation. Logically, the work departs from the idea of Platonic solids. The cube is examined as an ideal form that exists prior to and independent of concrete objects. This is a model of space where the ideas of balance, integrity, and completeness are fixed.

In the work, pure form sprouts into the physical environment. The cubes emerge from the wall as manifestations of this abstract, primordial structure becoming visible. Their appearance asserts geometry as the original order.

Some of the cubes are enclosed in wooden cells. The cells belong to the material world. Their texture and the material from which they are made emphasize their physical nature. They signify an attempt to halt the further proliferation of the form, to impose a boundary upon it within material space. This creates a collision between two orders: the infinite potential of the geometric structure and the finitude of physical reality.

The attempt to restrain the primordial structure with objects of the material world appears pathetic and hopeless. The installation demonstrates how the fundamental form continues to assert itself, despite the efforts to contain it.