» The Dove, woman, sphere and lots of empty space» — exhibition project in format of visual dialogue with father.
Project was conceived as direct work with father in creative tandema, but attitudes and plans changed. To do the dialogue with my father, I took his painting, which I watch every day when I’m a house.
» Expression&raquao; Igor Panin, 1988
monochrome version, painting original can be seen in end of story about projectThis painting was <laquo; Expression&raquao; written in 1988 and dedicated to the birth of the first child in the family.
The plot and the shapes & laquao; Expressions&raquao; began to appear when I was about 15 years old. Before that’s what I’ve seen in that painting is another wonderful form. Now this painting initiates for me questions of birth bordering not c life, in 0; in 1; death, in 2; in 3; the existence of a life-tact; — existence of time in 4; birth. Thoughts in 5; possible underbirth in 6; the context of working in 7; father’s map provokes existential conflict in 8; me existential conflict.
» Expression&raquao; , fragment, Igor Panin, 1988
.» Expression» — root of the visual process of this project. The objects are created in two ways: by studying the shape of the semi-autonomous painting and by studying its iconography.
Project work continues to make sense of the painting, but by developing a line of humble life-inflicted inflammation of the painting. You can see how the installation and objects are transformed from & laquao; answers to the painting&raquao; into parallel storytelling rethinking the plot of the painting.
.» Expression&raquao; , fragment, Igor Panin, 1988
. If the picture of < < < Expression» — o is about to be born, about
fragments of the painting <laquao; Expression&raquao; Igor Panina
Home, woman, sphere and a lot of empty space — a description of the painting <laquo; Expression» which my father wrote. The object of the painting became the name of the project.
The project was presented in the gallery <laquo; Boray» in
Project content:
1. & quo; Approaching Expression&raquao; , Graphic Towel Series 2. & quo; Mother&raquao; , Subject 3. < <The Spirit wins wherever it wants», installation 4. <i> <i> <i> <i> <i<i> <i<i> <i<i> <i> <i> <i> <i> <i> <i> <i> <i<i> <i> <i</i> <i> > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > & quo; To be revealed», series of hummochromat graph 5. & quo; Illustrated&raquao; , installation 6. & quo; Expression&raquao; , painting of Igor Panin
7. View of exposure in HSE ART GALLERY» Approaching Expression» , towel series
& laquao; Approaching Expression&raquao; , Graphic Series, 2024
Graphics series is dedicated to the space of this̆ paintings. Optics are set to maximum approach. The approach of — separates the originals from the originals̆ the image, turning it into non-existents̆ the landscape.
For greater dissolvation of the original image, and also from the it was decided to translate the painting into
Format is toweled 210×147 see, the format of the graphic element of such as well as the original of the paintings — 44,5×58.5 see
.» Approaching Expression&raquao; (1), Graphic Series; Nass, Acrylic psychic, laser seal, 2024
» Approaching Expression&raquao; (2), Graphic Series; Nass, Acrylic psychic, laser seal, 2024
» Approaching Expression» (3), Graphic Series; Nass, Acrylic psychic, laser seal, 2024
» Approaching Expression» (4), Graphic Series; Nass, Acrylic psychic, laser seal, 2024
» Approaching Expression&raquao; (5) series of graphs; bragging, acrylic psychic, laser seal, 2024
Cartin ' la quo; Expression» is more of a semi-adversarial, because it may still be about the iconography inside this painting. < <allowing to shows» — has become a series of abstract towels, not contains nothing in you have nothing but a possible landscape.
Any painting contains many paintings in you have a variety of paintings, but an abstract painting seems to be more about fragmentation and embedding fragments with the status of separate forms.
& laquao; Approaching Expression&raquao.
View of the exhibition in Borey’s gallery (23 April — 4 May 2024), St. Petersburg
& laquao; Mother&raquao; , object
The object is derived from the motivations of the iconography of the painting. The capital sign of this object is — a pregnant woman shown on a map in a position. From the 'nbsp; the black dress is filled with flour — metaphor not a life has come true.
» Mother&raquao; object; black dress, 6 kg flour, 2024
The main figure is a woman in a dress with flour in over time. Throwing flour out of 'nbsp' has become a metaphor for losing life. The flour drowns out of 'nbsp; it’s like the mother’s family is disappearing
» The Spirit is at its best.», installation
» The Spirit is flying wherever it wants» , installation; bird cells of different sizes, beef, 2024
For the installation of &laquao; The Spirit is the main sign of the painting by the pigeon. B this work defines the pigeon through the cell. It turns out that the dialogue between my work and the father’s map by means of signs can lead to and all to the to the denial of the image.
View of the exhibition in Borey’s gallery (23 April — 4 May 2024), St. Petersburg