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DATA CLAY

Longread translated automatically
Finalist of the competition

This project is a series of ceramic animal sculptures subjected to digital distortion (a «glitch effect»), functioning as a material manifesto for the aesthetics of technoromanticism. It stems from the premise that the era of post-internet art—which dissolved the material into networked imagery—is concluding, and it proposes a counter-path: the material embodiment of the virtual.

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Works

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