Longread translated automatically

A series of landscapes executed in Chinese-style ink wash and mineral pigments, composed of two thematic parts. The first part features landscapes depicting electrical transmission tower components—such as pylons, transformer enclosures, and streetlights—integrated into a symbolic natural landscape. In my system, these are signal objects that identify the environment. When we are in nature, we tend to ignore these industrial fragments, filtering them out of the view. In my work, I make them central, documenting their significance as an essential part of everyday life. The second part comprises landscapes showing indicator objects that are undergoing decay and are suffering full or partial functional loss. In these pieces, I capture the object in its current state alongside the memory of its past.

«Rural Landscape No. 1» and «Rural Landscape No. 2, ” ink and mineral paints, 30×40 cm

«Rural Landscape No. 3» and «Rural Landscape No. 4,» ink and mineral paints, 30×40 cm

«Rural Landscape No. 6» and «Rural Landscape No. 7,» ink and mineral paints, 30×40 cm

«Rural Landscape No. 8» and «Rural Landscape No. 9, ” ink and mineral paints, 30×40 cm

«Rural Landscape No. 10, ” 30×40 cm, and „Car Wash, ” ink and mineral paints, 50×40 cm

«Grain Silo» and «Dead Pine, ” ink and mineral paints, 70×50 cm