This calendar brings together the earth and the ornament, the memory, and the look from the height. It is based on the intersection of satellite images of the Kuban fields and the traditional Belarusian embroidery, where the geometry of agricultural plots becomes the continuation of human hands and the stitching reflects the rhythms of the landscape.
Each calendar sheet is a visual map of the month, where the dates are not lined up into a normal grid, but are distributed in a living, uneven order, like grain scattered across the ground. Different scripts create a sense of manipulativeness: each number as a separate stitch, almost rough, unique, breathing human presence.
Satellite imagery contains fragments of Belarusian embroidery — signs carrying the code of descent and culture. There are pre-revolutionary pictures of Belarusians in national costumes.
