Five scrolls become vertical slices of five different days spent in one city. Each begins with a large, chord-like frame, and then, moving down the vertical axis like a current, the remaining frames unfold—they no longer adhere to a hierarchy or chronology, but live their own lives: some are large and heavy, others almost imperceptible, lost among more insistent moments. They are assembled in a random order, but it is within this randomness that a new, more honest order is born. This is how dialogue is created: not between the viewer and the image, but between the viewer and a day lived by someone else, but which suddenly becomes their own memory.
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