Who has the right to reality?

In the film «Fang,» the parents raise three adult children in a well-kept house with a garden behind a tall fence. From childhood, they instill in the children that the world outside is dangerous, and they can only leave when they lose their upper right or left canine tooth. The children live by their parents' rules: they learn invented meanings for words from audio tapes narrated by their mother, complete assignments, play strange games, and are certain that everything outside the house poses a threat, believing in their mother and father without question.

Every day, the father drives to work, but sometimes he brings the girl Kristina home for his son. Kristina secretly gives the older daughter videotapes that introduce her to a different world outside. After this, the older daughter herself knocks out a canine tooth with dumbbells, hides in her father’s trunk, and the next day, the father drives off to work with her in the trunk. The film ends with the car stopped near the factory, and the audience is not shown whether the girl exited the trunk or remained inside.

The project raises a philosophical question: what are norms and reality? How are they formed, and who establishes these rules?

At the core of the project is a system of control that constructs reality through fear, illusion, and imposed norms. Identity in this world is constructed externally—through social roles and dictated rules that gradually appear natural. Infantile behavior and compliance become integral parts of this very system, functioning to uphold it. Even protest against this system ultimately serves the system by preventing escape.

The pressure leads to internal transformation: the individual either breaks down or attempts to «escape,» but any movement is already foreseen and embedded within the mechanism.

Or perhaps there is an option of absolute truth, and we can find a way out and attain it?

My personal style standards:

Bare lingerie is acceptable. Wearing fishnets and swim caps in your hair is fashionable. The height of popularity—combining different shades of white. Clothing that restricts movement is comfortable.