The module was dedicated to exploring four analog techniques: lettering, linocut, monotype, and cyanotype. I had wanted to try each of them for a long time, so I studied their characteristics with interest, experimented with materials, and learned from my mistakes. After a long period of working digitally, it was especially satisfying to return to the hands-on process. The results of these experiments formed the basis of a series of posters, where analog techniques were combined with various visual effects.
The work began by transferring the sketch onto linoleum. Then, sections that were meant to remain light were removed using cutting tools. Paint was applied to the prepared matrix, and subsequently, the image was transferred onto paper, creating the final print.
It was decided to move on to more complex drawings.
Oil paints, acrylic sheets, brushes, and rollers were used in the work. To create diverse textures, we experimented with leaves, flowers, napkins, and other objects. The resulting compositions were transferred onto paper.
To create photosensitive paper, solutions of potassium hexacyanoferrate, iron chloride, and ammonium citrate were mixed. The resulting mixture was applied to watercolor paper and left to dry completely. Then, a composition was formed and exposed to sunlight. After development, the paper was rinsed with water to remove any residual solution and dried.
