The typeface reimagines handwritten Gothic script from the quill. At its core are the characteristic angular serifs and the broken plasticity of Gothic lettering. This results in a hybrid of handwritten Gothic and grotesque—a fusion of angularity, script rhythm, and formal technologicality.

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With the resulting typeface, I chose a furniture brand that sits at the intersection of design and architecture. The foundation is built on pure geometric forms and structure. The objects are assembled like spatial entities—elements are deliberately offset, projecting beyond the familiar contour.
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