Longread translated automatically

In December, the HSE Art and Design School presented the large exhibition «The Great Mess» across two venues—a large-scale project bringing together artists, designers, researchers, and faculty who contemplate chaos as one of the fundamental forms of world existence.

big
Original size 3508x1754

The exhibition «Great Disorder» is displayed across two venues. The exposition in the School of Design gallery at Vinzavod serves as a kind of prologue—a preface that introduces the themes explored in the exhibition at the Catherine Culture Foundation venue, where the discourse on «Great Disorder» evolves into a meta-installation that examines disorder as a cohesive form, finding within it conflict, logic, and poetics.

big
Original size 3508x1754
Original size 3508x1754

Victoria Nesen, Mechanical, cyclical art object «Trace, ” 2025

Original size 3508x1754
Original size 3508x1754

Adleiba Danakai, Life or Chaotic Particle Movement, 2025

The Grand Exhibition is an annual event format that the School has hosted since 2021. Each exhibition is dedicated to a «major theme» on which students, graduates, and faculty from all disciplines collaborate.

Prologue. HSE ART GALLERY at Vinzavod CSCI

0

Raisa Zaslav, Apartment Dweller 2.0: Excavations of Sound, 2025

Original size 1280x720

Vasily Zamyatin, The Bloated Chaos of Metadigital Compositiveness, 2025

Original size 3508x1754

From left to right: Danizat Lafisheva, Sofia Yarochkina, Daria Lazaruk, Ulyana Malinin, Vasily Aleev Yelizaveta Studenikina, Anita Murashova, Sonya Kim, Ksenia Sukhareva, Yulia Novikova

Original size 3508x1754

Varvara Kuleshova, Order, Symptoms Series, 2019

Original size 3508x1754
Original size 1916x1368

Anton Khaev, It’s all tinsel. Photobook on celebration and entropy, 2025

Original size 3508x1754

Polina Mansurova, textures, 2024

Within the scope of this exhibition, we address the theme of «Great Disorder, ” analyzing numerous spheres where its manifestations are transforming what exists. The feeling of increasing entropy and the turbulent nature of contemporary processes compels reflection on the ubiquity of this phenomenon. Ultimately, orderliness, structure, and predictability appear more relative and transient, whereas the entropic nature of existence is likely one of its primary essential characteristics.

Original size 3508x1754
0

Anastasia Yanson, House of Chaos, 2025

Original size 1920x817

Diana Shishigina, Houdini: Destruction of a Space Station, 2025

This year, for the first time, the open call was open not only to students, alumni, and faculty of the Design School, but also to independent artists. The competition was hosted on the art.mediiia platform—a space created in partnership with the School—where contemporary artists and curators showcase their projects, art critics publish research, and cultural reviewers provide commentary on events in the art world.

0
Original size 3508x1754

Kuropatova Zarmina, dead end, 2025

Original size 3508x1754

Varvara Panyushkina, Serdtsevina, 2024

Original size 2676x1350

Varvara Panyushkina, Serdcevina, 2024

We attempt to define disorder and explore the nature of the apparent chaos in complex phenomena: processes of decay, forms of digital and technological entanglement, the multiplicity of the subject, and the ecological dimension of entropy. Simultaneously, we examine possibilities for resisting these processes and localizing chaos—its aesthetics and metaphoricity—including dreams as a domain of semantic confusion.

Original size 3508x1754

Maria Blashchik, inter/phase, 2025

Original size 3508x1754

Elizaveta Neustroeva, Where to Hang Chaos? , 2025