In December, the HSE Art and Design School presented the large exhibition «The Great Mess» across two venues—a large-scale project bringing together artists, designers, researchers, and faculty who contemplate chaos as one of the fundamental forms of world existence.



The exhibition «Great Disorder» is displayed across two venues. The exposition in the School of Design gallery at Vinzavod serves as a kind of prologue—a preface that introduces the themes explored in the exhibition at the Catherine Culture Foundation venue, where the discourse on «Great Disorder» evolves into a meta-installation that examines disorder as a cohesive form, finding within it conflict, logic, and poetics.

Victoria Nesen, Mechanical, cyclical art object «Trace, ” 2025
Adleiba Danakai, Life or Chaotic Particle Movement, 2025
The Grand Exhibition is an annual event format that the School has hosted since 2021. Each exhibition is dedicated to a «major theme» on which students, graduates, and faculty from all disciplines collaborate.
Prologue. HSE ART GALLERY at Vinzavod CSCI


Raisa Zaslav, Apartment Dweller 2.0: Excavations of Sound, 2025
Vasily Zamyatin, The Bloated Chaos of Metadigital Compositiveness, 2025
From left to right: Danizat Lafisheva, Sofia Yarochkina, Daria Lazaruk, Ulyana Malinin, Vasily Aleev Yelizaveta Studenikina, Anita Murashova, Sonya Kim, Ksenia Sukhareva, Yulia Novikova
Varvara Kuleshova, Order, Symptoms Series, 2019
Anton Khaev, It’s all tinsel. Photobook on celebration and entropy, 2025
Polina Mansurova, textures, 2024
Within the scope of this exhibition, we address the theme of «Great Disorder, ” analyzing numerous spheres where its manifestations are transforming what exists. The feeling of increasing entropy and the turbulent nature of contemporary processes compels reflection on the ubiquity of this phenomenon. Ultimately, orderliness, structure, and predictability appear more relative and transient, whereas the entropic nature of existence is likely one of its primary essential characteristics.
Anastasia Yanson, House of Chaos, 2025
Diana Shishigina, Houdini: Destruction of a Space Station, 2025
This year, for the first time, the open call was open not only to students, alumni, and faculty of the Design School, but also to independent artists. The competition was hosted on the art.mediiia platform—a space created in partnership with the School—where contemporary artists and curators showcase their projects, art critics publish research, and cultural reviewers provide commentary on events in the art world.
Kuropatova Zarmina, dead end, 2025
Varvara Panyushkina, Serdtsevina, 2024
Varvara Panyushkina, Serdcevina, 2024
We attempt to define disorder and explore the nature of the apparent chaos in complex phenomena: processes of decay, forms of digital and technological entanglement, the multiplicity of the subject, and the ecological dimension of entropy. Simultaneously, we examine possibilities for resisting these processes and localizing chaos—its aesthetics and metaphoricity—including dreams as a domain of semantic confusion.
Maria Blashchik, inter/phase, 2025
Elizaveta Neustroeva, Where to Hang Chaos? , 2025









