Methodological recommendations for the New Year ' s Multimedia Book module.

These guidelines relate to module 3 of the Modern Multimedia Book module 3 and do not regulate the remaining formats available for implementation on the multimedia engine. The cover used a fragment of Emily Shandrick’s illustration.

Students come up with the concept of New Year’s Electronic Book. They learn about infographic techniques, study how the text blocks fit into the image, and how schematically the information provided can be combined with the writing style. On the basis of the concept developed for the coming year, students create a sequence of 8-16 animated screens with font and graphic compositions and a common composite-stylistic solution. Project implemented on multimedia engine https://hsedesign.ru/cb/create

The book should have a main causal storyline, a single main action. You need to get rid of secondary story lines that don’t work to advance the main story. It is not desirable to make almanacs on the lists; in this module it is desirable to focus on the work on the story. It could be artwork and non-fixing. The story may be closer to the children’s book, or it may be closer to the information ad. What to read about how the story is being built is Blake Snyder «Save the SEAL!»

The author can formulate what he shares with the audience and what is the uniqueness of his message. For cognitive content, it is important to look for interesting perspectives, visual comparisons, to think not narrowly within a topic, but to reveal it in contexts that are relevant to the maximum number of viewers.

Plastics, graphics tools, animation devices are deliberately tailored to a defined task and are working to reveal it in a better way. The topic develops both logically and visually throughout the project. The project is complete and varied according to the selected visual solution

Examples of projects with similar narrative and functionalities. What’s the difference with what can be realized on our engine: — we have fixed proportions below the tablet — horizontal lens of fixed-weight screens — there are no long vertical longrids — at this point the animation only works for uploading (not on the surf, not on the click); it is therefore more difficult to implement — there is currently no video download, 3d, sequences; jpg, svg, png, gif formats are maintained

It’s gonna look gorgeous, but there’s a chance we’re gonna bury ourselves in the illustration and not think about the animation. Count your time.

https://readymag.website/hseadc2/4797417/Oceans alone, Katerina Bondarenko. An illustration. It’s a project designed specifically for our tablet horizontal foliage format.

https://readymag.website/hseadc2/4618150 Smoke toy, Elizabeth Volonzic.

https://readymag.website/u3538474106/3942947/ Iron hare in tiger skin, Catherine Bondarenko.

https://sashavibe.tilda.ws/noski Soski in centuries, Sasha Weiss. A well-implemented narrative part. It’s more of an irony over the cognitive format, but first of all, it’s still appropriate for c/a, and second of all, it’s possible to have that approach, and it’s not ironic for any story to be realized.

It requires some inventiveness, it’s a good match to other things.