«Walk along the embankment"—part of a project at the intersection of painting and the conceptual gesture of silence, where the unsaid becomes the primary mode of expression.
Canvas installation / acrylic 400×160 cm, 2026
By sketching the urban landscape, I deliberately imbue the existing reality with a quality of loss. Space functions as an unstable environment, devoid of a point of orientation. Architectural and landscape forms emerge not as objects, but as traces of memory’s presence.
canvas installation / fragments
The city functions not as an image, but as an environment of decay. I do not insist on the convincing nature of images—buildings, bridges, trees, etc. They are merely containers of condition, possessing ontological qualities.
Applied piece on canvas-installation / 66×22 cm / mounting: adhesive
The embankment space is divided into discrete components where the architectural logic of the water surface and the urban landscape forms a dual metaphor: the roles of the sky and the river can change depending on perception and context.
Triptych canvas/acrylic, 2026 Dimensions: 65×91 cm // 115×90 cm // 77×91 cm
Fragments from the triptych «Stroll along the Embankment, ” canvas/acrylic, 2026
There is no finished image, no narrative—but there is material that resists the illusion of wholeness.
Exhibition as part of the «Future Draft» showcase Curator: Evgenia Solomatina, Exhibition Architecture: Alexey Korsi Zotov Center, Moscow, 2026
The project «Stroll Along the Embankment» is a reflection on the global city, where reality is called into question. Balancing the literary narrative of memory with the reconstruction of current reality creates a new meaning for reading the city—the city as overgrown ruins.