& quo; Garden y home, in which burns light, but no one is lives&raquao; — is an exhibition built as a metaphorical collection of stories.
Main place of action: the territory of the House of Creation. Photo: Hope Kupriyanova
The stories are presented in art format. All of them are closely intertwined with the story of the place and the biographies of people who have lived in different years and have lived in in different ways. And these are not only writers and writers, but also local residents and low-storey housekeepers, employees and local institutional staff.
In an attempt to ' laquo; land» the image of Repelkino, we turned to its essence — to a successful way of life and inextricably linked to gardening. 'Cause it’s not just a cultural heritage, but it’s a cultural heritage, and it’s a living community of people. — neighbors, writers, and visitors. Plant cultivation and fun has become a unifying factor. For us, Revelkino — are different relationships: intellectual and creative, neighbouring and human. It’s them that we’re planning to explore in our project’s frame.
The lab of the project in Repelkin. Photo by Anastasia Samilova
On this page you’re you can read the the documentation of the curator walks that became one of the the key results of the project. ==History==The march included all the locations of the project, as reflected in the participants ' < nbsp > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > >… > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > &
The starting point — the exhibition in the semi-substrate of the new building of the Creation House, which became a kind of ' laco; content of the compilation of» by combining elements of all four stories in the same space.
(0) Exhibition in the basement
A fragment of the exhibition: Vasilisa Lebedova vegetable garden for the & laquo; Artichokes are forbidden to enter». Photo: Cyril Savelev
23 April in The House of Creation presented the results of the seven-day <laquo; Garden U Home in whose light is on, but no one is lives». It was attended by Anastasia Samilov, Vasilis Lebedeva, Anna Tararov and Anastasia Kayneanung.
Fragments of exposure. On the left: strawberries from the story of Julie and Lisa ' laquo; Garden at house…». On the right: video of Anastasia Kayneanung from the story <laquo; Dear Land». Photo: Cyril Savelev
In the results of the Redelkino study along with the the artists we discovered 4 the stories that came into the « the collection of» and formed the basis of artistic projects. (1) A garden outside a house where light is on, but no one lives. Storytellers: Julia Evstratova, Lisa Movchin (2) Artichoks are forbidden to enter. : Vasilis Lebedeva (3) Dear Land of Tales: Anastasia Kayneanung (4) (Green House) Tales: Anastasia Samilova
Visitors to the exhibit in the basement. Photo: Cyril Savelev
All the stories were found through horizontal links and selected by the principle of the influence of the vegetation side on the local resident telling us this story. Somewhere the plant factor was the basis of history, somewhere the method of building communication, but the star was part without which these stories were not they were they were.
A fragment of the exhibition: an installation with a banner by Anastasia Samilova for the story « (Green House)». Photo: Cyril Savelev
On the left, you can see a <laco; greenhouse with vegetables». For Anastasia Samilova and Constantin Adger — video & laquao; Dear Land». Photo: Cyril Savelev
Lisa Movchan, Julia Evstratov (1) Garden outside a house where light is on, but no one lives
That’s the house. Photo: Cyril Savelev
The first story, <laquo; Garden y home, in which burns light, but no one is lives&raquao; , appeared after observing mysterious house on territories of the Creation House. Enchanted by the burning windows, we’ve guessed who’s also living in the huhnbsp; such a wonderful service. From the 'nbsp; tour guide we’ve learned there’s been reconstruction and 'nbsp; no one’s lived for a long time. In the house will soon become the exhibition space <laquo; The House of Creation of the Fortelkino». A now local workers and employees light up in all windows every night. The image of a deserted, mythical place that still preserves the appearance of life has become a key feature for us. This house is a micro-projection of the whole of Repelkin: either six-metre fences, or giving-meuses, or a neat and almost puppet territory of the House of Creation.
The strawberry landing process near the house. Photo on the left: Hope Kupriyanova. On the right: Cyril Savelev
& quo; House, in that light is on, but no one is lives. U dead house — living garden. You want to take the berries or steal them, not the berries; you want the berries; you want the berries; you want the berries and the berries; run. That’s him; the circle of strawberries in nature, that’s and the staring strawberry communities, in which are the best — this is we. People, people, people, but 0; — many, but 1; — together, but 2; together, but 3; want to be together, even when but 4; but 5;. Lisa Movčan but 6; Jules Evstratov
The strawberry landing process near the house. Photo: Cyril Savelev
We’ve planted a strawberry garden next to the house to bring a new life to its territory, and to stare at beautiful plants, to enjoy sweet berries.
Traces of our presence. — strawberry garden. Photo: Cyril Savelev
Vasilis Lebedev (2) Artichokes forbidden to enter
The way to the museum house. Photo: Cyril Savelev