The book, based on film material, develops the theory of intertextuality, whose core ideas are related to the works of French post-structuralist literary critics of the 1970s and 1980s (R. Barthes, Julia Kristeva, and others).

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I took the first chapter of Mikhail Yampolsky’s book, «Tiresias' Memory,» which reflects the core concepts of intertextuality in cinema.

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The authors and covers of the books featured in this chapter are displayed on the thumbnail.
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Images are framed with a black bar, and author quotes are in gray.
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The traditional citation order is used.
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Films are integrated into the narrative
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The timeline shows on which other pages the author appears.
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