The relevance of the «Kino» group to young people all the time.

Concept — youth 80s — 90s — youth 00s — 10s — youth 20th Conclusion Sources

Music has a special place in the  human life is not a  it’s just a background, a  an important part of personal and  a collective identity. The group <laquo; Kino&raquao; represents a unique phenomenon in  this context — their  music continues to appear in the  the hearts of millions for four decades. Modern research shows that for 92% of young people, music is the most important part of everyday life, and  songs & laqua; Film&raquao; are always part of the  tops of the striming platforms. This study aims to expose the mechanisms of " forever youth» legendary group through analysis of its  visual presentations in  diverse media forms and  epochs, a  also to understand why this music continues to resonate in the  new generations.

How did the visual perception of the band change from  the epoch of tape recorders to  digital platforms? What elements of the visual style <laquo; Cinema» have turned into `nbsp; universal memes and  cultural codes? Why does Victor Zoe’s image continue to inspire modern artists and  designers? Of particular interest is the analysis of the role played by music <laquo; Kino&raquao; in <nbsp; in generational thinking, and  how modern patterns of music consumption affect  the perception of classical rock. An important aspect is the study of why it is precisely in  the broken moments of life people especially often turn to  the songs of Zoe.

The first section of 1980-1990 analyses the formation of the group and  the relationship of young people to  a phenomenon such as the « Film» group. The second section, 2000-2010, studies the reason why the other generation’s young people are still so .nbsp; is also attracted to a group popular with their parents. The third section of the 2020s is devoted to another new generation and  modern phenomena.

From  music therapy to  creating urban cultural spaces. Educational programs on  mediogramaticity can use these data to analyse the mechanisms of cultural memory. Musicians will gain valuable knowledge about  long-term success factors, a  social scientists — new tools for research on youth subculture. The work is of particular value to music exhibitors and  the producers of media projects about  the Russian rock, offering a scientifically sound approach to  the presentation of musical heritage.

The popularity of the group ' la quo; Film» in the 'nbsp; 1980– 1990s among young people ' s — is a complex combination of music, texts, the charisma of Zoe and  the spirit of time. Their success cannot be explained only by talent or luck — they became the voice of a generation that sought truth, freedom and  meaning in  the era of stagnation and  reconstruction.

Synthesis of genres — in  they included elements of punk, post-punk, New Vienna and  even electronics (especially in  later albums). Laconity — the songs were short, but  short, with no extra ' laquo; powers ' ; which made them > nbsp; ideal for street sounding.

Choi wrote not  songs, a  stories that spoke with  youth on  her  language: O  freedom — <lakuo; Change!&raquao; <lako; Good night&raquao; < <Want change!&raquao. O  love and  loneliness — < < hao; pack of cigarettes» < < 8th grader» << 8th grader» <> <<brong>O wars and bs–— < < < < < blood&br/raqo; > > > > >

1980's — time of stagnation, then restructuring — young people felt that the old world was falling, but the new was not yet. < <Kino&raquao; played in the  basements, their n wripped according to TV, but  they became the main group of streets. >>In  their 1990's  songs sounded like a rug for the  when the country collapsed, it was the songs that helped people not  the spirit (» star by  names of the Sun»).

The scale of the band’s popularity was incredible: the concerts were gathering stadiums. The band collected the ashlags despite the  the lack of extensive advertising. The symbol of the generation — the texts of Zoe (» Change!» &laqua; We  Waiting for Change») became the anthem of the young people of the Rebuilding era.

The image of his own boyfriend» — Soy was not  was « star» in  Western sense: modest, little word, no paphos. It made him close to the  audience. Cinema and «Igla» (1988) — Rachid Nugmanov’s film with  Toy in  his leading role enhanced his status as icons of style. The death in 'nbsp; the car crash turned Zoe into 'nbsp; legend. The phrase « Zoi is alive» has become a symbol of memory.

The book also says that all subcultures listened to <laqua; Kino&racuo; which was rare for the then stage. #strong>&laqua; Kinomania» — is not just fanatical hysteria, a  the cultural code of an era where music, politics and  the artist’s identity merged into a single myth.