HSE x ITS: The Art of Reframe. The Alternative Cinema Poster Competition
Brother (1997, Aleksey Balabanov)
Brother is a 1997 Russian neo-noir crime drama film written and directed by Aleksei Balabanov. The film stars Sergei Bodrov Jr. as Danila Bagrov, a young ex-conscript who becomes entangled with the St. Petersburg mob through his older criminal brother. It was screened in the Un Certain Regard section at the 1997 Cannes Film Festival.
After its release on VHS in June 1997, Brother unexpectedly became one of the most commercially successful Russian films of the 1990s and quickly achieved cult status throughout Russia. Due to the film’s popularity and fan demand, a sequel, Brother 2, was released in 2000.

First Alternative Poster

This poster features a bold, stylized portrait of Danila Bagrov set against a deep red background with splattered textures, symbolizing violence and danger. The strong contrast on his face highlights his brooding nature, while the bold yellow, Soviet-era typography reinforces the film’s post-Soviet aesthetic. The minimalist yet striking composition draws attention to Danila’s intense expression, effectively capturing the film’s gritty crime-thriller atmosphere.
Second Alternative Poster

This poster employs bold silhouettes to generate tension and mystery. The imposing figure holding a gun dominates the foreground, set against a lone man walking in the distance, which emphasizes themes of crime and destiny. The deep red and pink tones evoke a sense of danger, while the vibrant yellow title provides a striking contrast, perfectly capturing the film’s gritty atmosphere.
Third Alternative Poster

This poster features two silhouetted figures in an intense face-off, symbolizing conflict and tension. The sharp contrast between black silhouettes and a deep red background highlights the film’s themes of power and confrontation. The bold yellow title adds a striking visual balance, reinforcing the movie’s gritty and dramatic tone.
Fourth Alternative Poster

This poster evokes a sense of isolation and introspection. The solitary silhouetted figure standing against a red-toned landscape suggests deep contemplation and inner turmoil. The bold yellow title provides a stark contrast to the background, emphasizing the film’s intense and dramatic nature.
Fifth Alternative Poster

This poster encapsulates the essence of Brother (1997) through its minimalist yet powerful composition. The still life arrangement of a gun, a magazine, and a CD player suggests a contrast between violence and personal escape—a key theme in the film. The warm, muted tones and soft lighting create a sense of quiet tension, leading the viewer to anticipate the unseen narrative behind these objects. The bold typography of the title remains consistent with previous posters, reinforcing the film’s identity.
Sixth Alternative Poster

This poster features a strong composition—the silhouette of the main character stands before a red archway background, establishing depth and a mysterious atmosphere. The interplay of red and black colors reinforces the theme of Brother (1997), a work steeped in tension and moral conflict. The font chosen for the title is notably rounded, lending it a unique retro quality while still projecting a bold presence. Overall, the design maintains consistency with the previous poster series while presenting a fresh perspective on the main character.
POSTER FILES https://its.id/m/MoviePosterMuhammadFaza
Thank You! Terima Kasih!
