Posters for three Indonesian films: The Raid Dancing Village Sang Pencerah
The Raid
The poster mimics the pore animation of the floor numbers, which were run by the heroes of The Raid. It reflects the dynamics of the run, and haos in the awful skyscraper, which has become the place of the grip of good and the pus. The abundance of white gives faith in the possibility of a bright ending of the film.


The poster reflects the visual noise that fills the film from beginning to end. A tense expectation of a sharp action, a especially the scene, in which the negative character slits through the swords of the wall in the search for the main positive hero, keeps the viewer constantly in disturbing attention. However, the light coming from the right side of the poster gives hope to the 'nbsp; the optimistic end.
The patch shows the rhymes that contain the film: skyscraper windows are like televisions that monitor the events in a multistorey building. Printing forms a step-by-step composition like heroes who move around through the 'nbsp; theajamas.
Dancing village
The plate forms rhythmic series and repeated images that reflect the cycle of many years of events described in the film. In the mysterious village of the sedition in the sedition is taking place in a terrible rite of rhyme, which is < <laquo; selected&raquao; girls are not they are left to return. Can’t the main hero untie this chain?
The poster reveals several worlds that exist in a film: a city from which is sent by the main characters, a village located in a deep forest and a mystical plan: a negative hero takes the dancers. These locations are shown through graphics, mezzances, and lettering.
The plaque mimics the moves of the dance. The twisting images from the the film is distorted as the perception is distorted and the dancers in the the mystery village in the time of the long-term obsessed movements. Fake piloting visualizes tingling in tel.
Sang Pencerah
The poster reveals the depth of faith and the impatience of the main hero’s views, which were not welcomed by religious leaders, in which he lived. The multilayered gradients merge with the waves and the infinite horizon, which symbolizes the character’s purity and the lightness of the character’s intentions.
The poster captures the mezzance, in which the main hero stands with with the wife of the house of prayer study is crumbled. The fractured moment of the film is reflected and in typography, which runs through the object patterns, splintering and aligning to shapes like characters — under the circumstances of life. However, the background of the poster is white, heroes together, a means there’s hope for that in they life will get better.
This poster, like the the events of the film, is multilayered. The imposition of many circumstances, faith, and the power of the main character (the spiritual teacher) and his like-minded characters are led by the character to the result. After all, every word carefully written on the chalkboard with the goal of helping students matters.
