The project explores individual marginality and the human drive to overcome division and disconnection. When severed from social and cultural ties, a person temporarily feels absent from their space, and their surroundings begin to sound louder than they do themselves. Emptiness and lack of narrative are metaphors for the desire to go unnoticed and for what reality looks like when it is disconnected from us. Time seems to halt, creating space for observation and reconstruction.
This is a liminal space that implies people—their presence is felt—but there is no one there. The transition must be undertaken alone. Eternal artifacts serve as the guides.
These everyday urban drawing subjects seem familiar and well-known, yet their status of permanence is also debatable.
Careful admiration of still-existing but more past car models reinforces confidence, giving substance to the transition that has occurred.
The new space has taken shape, but it is not yet filled in to become tangible. In the search for stability and inner resilience, phantoms of something familiar and sturdy serve as temporary supports—but one must not linger with them, or risk being left on the sidelines.
The image captures the reset of the count and bids a heartfelt farewell to the past, which has no reason to be revisited.