This is a state in which the normal world seems unrealistic: the sounds are muffled, the space is losing depth. A man sees everything through the glass — staying in reality, but not feeling it alive.
The project shows that derealization can be conditionally divided into 12 stages, ranging from a light sensory silence to a complete distortion of perception. Each month of the calendar visualizes one of these states through color, composition, and degree of. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
In order to convey more accurately the subjective experience, I conducted interviews with people facing derealization. Their descriptions helped to form visual metaphors that reflected how they sense light, sound, space and time in different phases of this state.
The visual decisions of the calendar are based on real descriptions from interviews — quotes from people derealized